Popis
TABLE OF CONTENTS
Foreward- Theresa Buckland
Programme of the 19th Symposium, Třešt, Czech Republic, August 1996
I. Children and Traditional Dancing
1. Keynote paper. Children’s dances from Lower Saxony, Helmut Segler and Dora Kleindienst-Andrée. An introduction to keynote film and discussion (Lisbet Torp)
2. Children’s traditional dances (Grazyna Wladyslawa Dabrowska)
3. The creation myth in Armenian children’s games (Emma Petrossian)
4. Ritual dolls in Armenian tradition (Genja Khachactrjan)
5. Kinderbälle als reflexion des europäischen gesellschaftstanzes (Monika Fink)
6. Learning language through dance. Rhythm, rhyme, song and dance in French nursery school education (Georgiana Gore)
II. Dance and Style
7. Dance and the concept of style (Adrienne L. Kaeppler)
8. Style in folk dance (Hannah Laudovd)
9. Zu den Stiländerungen im volkstanz in der Slowakei (Stanislav Důlek)
10. Interpretations of cultural patterns of dance in individual dance behaviours: the case of oberek (Dariusz Kubinowski)
11. Removing the bride’s veil: structure and style in a Ukrainian wedding ceremony (Andriy Nahachewsky)
12. Gypsy dance style as a marker of ethnic identity (Anca Giurchescu)
13. The influence of musical accompaniment on the emergence and transformation of a style of dance (Daniela Stavělová)
14. The style of folk dance and its development: a study of exceptional dancers from south and east Moravia (Martina Pavlicová)
15. One dance, many styles (Yvonne Hunt)
16. Lemonia dance of Lefkada versus kontoula lemonia dance of Epiros, Greece (Maria Koutsouba)
17. Blurring images, glowing likeness: a dichotomy of styles in traditional dances of Malaysia (Mohd Anis Md Nor)
18. Different generations, different styles: alevi semah performances in their changing context (Arzu Öztürkmen)
19. ‘Fine’ dancing: from sacred to the stylistic (Anna Shturbanova)
20. Differences and changes in style: the example of Croatian dance research (Tvrtko Zebec)
21. How to broaden the stylistic profile of a dance group’s repertoire (Kari Margrete Okstad)
22. The formation of new elements in Armenian folk dance style (Naira Kilichian)
23. The influence of stage dance on the authentic style of folk dance (Dalia Urbanavičiene)
III. Response to Jan Stęszewski, 18th Symposium, Skierniewice, 1994
24. The muses and the dance (Roderyk Lange)
List Ilustrations
Table contents